Masterclasses are offered at selected times throughout the year between performing and touring commitments.
These sessions are intended for students who are already working seriously at their instrument and are seeking thoughtful, specialist input beyond the scope of their regular weekly lessons.These sessions provide focused expert insight designed to unlock technical ease, refined interpretation, and performance readiness in a short, concentrated timeframe.
Masterclasses with Vov Dylan are particularly suited to:
HSC Music students preparing Australian repertoire
Diploma and advanced AMEB candidates
Students refining interpretation and performance presentation
Teachers wishing to provide their students with an additional specialist perspective
Regional and interstate students seeking expert guidance online
Sessions are available face-to-face, online, and within schools or private studios.
A masterclass differs from a regular lesson. Rather than guiding repertoire selection and weekly development, it provides an alternative perspective aimed at unlocking technical ease, musical understanding, and interpretative clarity.
These sessions focus on:
Careful diagnosis of technical habits affecting ease of playing
Musical thinking and interpretative decision-making
Specialist understanding of Australian violin repertoire for HSC performance
Performance preparation and presentation
Practical guidance on how to practise effectively
Students leave with clear, practical direction and renewed understanding of their work.
Through the development of the Australia’s Musical Canvas program and long-standing collaboration with Australian composers, Vov Dylan has developed extensive familiarity with contemporary Australian violin works aligned with NSW syllabus requirements.
His writing on violin pedagogy and Australian repertoire has been published in Stringendo, the journal of the AUSTA.
Vov has worked closely with composers such as Ann Carr-Boyd, Margaret Brandman, Elena Kats-Chernin and Stuart Greenbaum, and has extensive performing experience with works by Peter Sculthorpe, Wilfred Lehmann, Ross Edwards and many others found on HSC and AMEB syllabuses.
This experience allows practical insight into how this repertoire can be shaped musically and presented with confidence.
Masterclasses can be arranged for:
Individual students
Small groups within a private studio
Senior music classes within schools
In-school masterclass days for HSC students
Studios and schools regularly arrange masterclass days where several students work consecutively. This format allows these sessions to integrate naturally into existing preparation programs.
One-on-one 60–90 minute masterclass
Online review sessions for regional and interstate students
Small group studio masterclasses
In-school masterclass days
For students attending in person, a short series of sessions is often more beneficial than a single visit.
A block of three 60–90 minute sessions allows for:
Careful analysis and initial guidance
Development and application of new ideas
Consolidation and refinement, often with accompanist
Teachers, family members and fellow students are welcome to attend and observe.
Students attending online are encouraged to submit a video recording of their full piece prior to the first session. This allows the session to begin immediately with meaningful refinement.
Recordings may be made with or without accompanist.
Due to regular touring throughout Australia, New Zealand and South-East Asia, masterclasses can often be arranged in other locations to coincide with performance schedules.
HSC Music students working on Australian repertoire
Diploma and advanced AMEB candidates
Students seeking fresh insight into well-prepared repertoire
Teachers seeking additional specialist input for their students
Students wanting focused refinement beyond regular lessons
These sessions are most effective when repertoire is performance-ready (approximately 80–90% prepared) rather than at early learning stages.
A masterclass offers a different perspective aimed at refining technique and musical understanding. It complements, rather than replaces, regular tuition.
Yes. Teachers are welcome to attend and contribute. These sessions support the primary teacher’s work.
These sessions focus particularly on interpretation, musical storytelling, and stylistic understanding in Australian repertoire.
Students should know their repertoire thoroughly and be close to performance standard.
Typically 60–90 minutes.
Yes, with suitable audio and video setup.
Yes, particularly in later sessions.
Yes, space permitting.
Yes.
Yes, often alongside touring schedules.
The repertoire often spans many syllabuses and requires careful preparation beforehand so that the session can be immediately focused and effective.
Yes. Many students return before major exams and performances.
Enquiries from parents, students, teachers and schools are welcome via the contact page to discuss arrangements.